Evaluation Question 4:

4) Who would be the audience for your media product?

Profile of our ideal target audience:
Age: 15-24
Gender: Male or female
Nationality: British
Film interests: Action, drama, sci-fi
Other interests: Watching TV, going on the computer, playing games consoles, listening to music, playing sports, socialising with friends…etc.
Film consumption habits: Likes going to the cinema to watch films with their friends, or watching DVDs at home

Our core audience would be fans of action films, drama, or sci-fi, especially those who are older teenagers/ young adults, due to the young relatable characters and strong violence and language. Our film would appeal to both genders, with action and an attractive female lead attracting male viewers, and a strong positive role model and themes of love for the female viewers. Mute would also have a core British audience, as it produced and distributed by British companies, and is set in the city of London.

We would also have a secondary market of fans of action, drama or sci-fi but slightly older adults, as they would still enjoy the film as it contains a lot of action and drama themes. However, they would only be our secondary audience as most of the actors and characters in our film are teenagers and young adults, meaning an older adult audience would not be able to relate to them. The older characters in our film are the antagonists, the government, so older adult viewers may look at the film in a slight negative light.

Evaluation Question 3:

3) What kind of media institution might distribute your media product and why?

- Our production company is called Binary Studios, a fictional British institution which specialises in producing gripping, hard hitting dramas, mainly starring British fresh faces. Similar films we would make are This is England and Trainspotting, both of which were produced and set in the UK, and produced by Film4, a very similar production company.



- The company distributing our film is Phoenix International, a fictional company which would specialise in distributing smaller independent films and mainly dramas, similar to Fox Searchlight Pictures, which have released other UK films such as Slumdog Millionaire and Never Let Me Go.



- However before getting picked up by Phoenix International, Mute would have gone through the process of being up on auction at various film festivals, for example the BFI London film Festival or Raindance, so that it can get the finance and release it needs.



- As Mute has been distributed by Phoenix International, hopefully it will have a worldwide release. It would definitely have a national UK release, due to the film being produced and set in London, with a British core audience. However, it could also have a international release, as it comes under the genre of action/drama, with the key conventions of an action/drama film, which is an enjoyed and liked film genre all over the world. The film also follows the simple equilibrium – disruption – resolution theory as established by Todorov, with a happy ending that will appeal to all countries, for example the United States of America. The ending also provides a pathway to a sequel, so depending on the success of the film, higher budgets and larger productions could be used to produce a sequel, or maybe even a trilogy.
- Along with a successful distributor, we would hope to see Mute in many cinema chains, for example Cineworld and Vue, and possibly lasting in cinemas for four or five weeks. A release in multiplex cinema chains and a successful marketing campaign (for example a viral campaign on the internet, via sites such as YouTube – e.g. a silent trailer or short film could be produced) would hopefully attract many audiences.
- After Mute has been shown in cinemas, it could later be exhibited on TV, on channels such as Film 4 and Sky Movies, and released on platforms such as DVD and Blu-Ray.

Evaluation Question 2:

2) How does your media product represent particular social groups?

Our particular social group: Teenagers.

From the beginning of our opening sequence, it looks as though we are representing teenagers as the digital generation, as they are seen looking down, not speaking, and just texting.

So when the audience sees the montage at the beginning of the sequence, they would probably think of the digital age and how teenagers have embraced technology, and make them question whether or not digitalisation is actually benefiting the children of today, especially as it has resulted in not speaking. This stereotype of teenagers being the tech-savvy generation has been represented in many films and television programmes, for example Gossip Girl.

However, when they continue watching the sequence and realise that this is not a film on the anti-social behaviour of the teenagers of today, they view the film differently and the representations change.

In our opening sequence, we have chosen to represent teenagers through our main character Ava, a strong, edgy and independent girl. We dressed her in dark trousers, a grey top, khaki jacket and black Doc Martens to make her look tough and slightly tomboyish, but had her hair down in loose blonde waves to add that hint of feminism and beauty. We wanted her to look strong yet still pretty and girly, as we needed her to be our main action hero, yet still beautiful to make the female audience look up and relate to her.



We see Ava listening to music while taking the bus home, and we hear the loud drum and bass mix that she is listening to. We chose this song as we felt that this would be the type of music she listens to: strong, powerful, upbeat, young and slightly rebellious – all of which reflect her character.

This slightly rebellious notion is also emphasised when we see her mother type ‘I saw your gradesheet…’ and she rolls her eyes and walks away, representing the difficult, almost hard to control teenager stereotype, shown in many different films and television programmes, for example Tracy Freeland in the film Thirteen and Marissa Cooper in the TV series The O.C.



However, unlike the stereotype which is seen in a bad light, we look at it in a positive. Although it seems like Ava may be a difficult, moody teenager type, she is actually strong, independent and feisty: all the right ingredients needed for an action heroine.

Evaluation Question 1:

1) In what ways does your media product use, develop or challenge forms and conventions of real media products?

Genre

Our film Mute would be classified under the genre of Action/Drama. As a group, we have decided to follow the conventions of genre of action/drama quite closely, with a few convention challenges too. We have followed the conventions in the way that we have one main protagonist, with a few supporting protagonists, (Ava being our main, and the two boys who can speak being the two supporting). However, we have slightly challenged the main convention that the main protagonists in action films are young adult males (e.g. James Bond films, Die Hard, The Bourne Series) with our main protagonist being a teenage female.

Although our final media product is only the opening sequence, we as a group have also planned out the rest of the film, which generally goes along with the main conventions of action/drama, with strong antagonist characters (the oppressive government) intense action scenes, chase scenes, friendship and love. These events and themes occur in many action/drama films, for example I Am Number Four.
Our film is also set in the city of London which also follows the conventions of action/drama films being set in cities. In fact, many action/ drama films have been set in London, for example Sherlock Holmes and Casino Royale.


Narrative Structure

Conventions of an action/drama film:
- Todorov’s theory of narrative: the classic narrative pattern of equilibrium – disruption – resolution
- Barthe’s theory of enigma code
- Levi-Strauss’s theory of binary opposites

How we included these theories in our film/film opening:
- Todorov: As we only filmed an opening sequence lasting 2 minutes, Todorov's theory is not as evident. Our opening sets up the starting equilibrium of a world without speech, but the disruption and resolution is not seen yet (this is shown in the rest of the film!)
[To see Todorov's theory for the rest of the film, visit our group blog, here.]

- Barthes: Our opening sequel is filled with many enigma codes from the start, and this is to intrigue the audience, and make them think ‘what is going on?’ so that they will want to watch the rest of the film. The first scenes the audience will see is a montage of shots of many teenagers texting at a bus stop, not talking to each other at all, making the audience think ‘why are they not talking to each other?’



- Levi-Strauss: Our opening sequence contains quite a few binary opposites, for example the large contrast in sound when Ava takes her earphones out: in the first few shots there was a loud drum and bass track, but once she takes them out, it is almost silent.

Form

Functions of opening sequences:
- To introduce the main characters
- To introduce the main themes/ establish what is going on the film
- To engage the audience, and make them want to carry on watching it
- To show the credits to the audience, e.g. distributor, director, producer, writer, main actors...etc.
- To tell the audience the title of the film, therefore suggesting/signifying the genre

Conventions/typical features of opening sequences:
- Show the main characters and give the audience an idea of what they are like
- Have music/soundtrack in the background to engage the audience
- Have a variety of shots showing where the film is set

The opening sequence starts with a black screen and white credits showing the film production company and distributors, therefore giving the audience an idea of what the film is going to be like. A montage of shots of teenagers waiting at bus stop is then shown, setting the scene of the film (London). We then follow Ava’s journey from the bus stop to her home, therefore introducing her to the audience, and as we see her listening to music, we get an idea of what she is like. When she returns home we see her ‘talk’ to her brother and mother via her phone/communicator, and because of this, the audience get an idea of what the film is about: a world without speech. The opening sequence ends on a news article explaining that voiceboxes may still exist, and together with the knowledge that this is a parallel universe where speech does not exist, this makes the audience want to carry on watching the film. During the opening sequence, the audience sees the titles of the main actors, writer, editor, producer and director, and hears a loud drum and bass mix in the background, engaging them and letting them know more about the film they are about to watch.
As our opening sequence contains all of the conventions mentioned above, we feel that it works really well, and does the job that an opening sequence should do, similar to the opening sequence to 10 Things I Hate About You:



Style

Soundtrack: During the first half of our opening sequence, during all the outdoor scenes, a drum and bass mix in the background is heard. This gives it an upbeat, edgy young feel, and as it is played really loudly, it brings the audience into the world of the film, and in the shoes of Ava. We felt as a group that this was the most appropriate song, as it fits in with Ava’s edgy, strong personality, and as the song sounds slightly electronic, it fits in with the idea and running theme of technology.

Titles: Our opening sequence contained very basic and minimalistic titles, especially the ones used for the Production Company, distributor, and film title. For these titles, we used a black background with white scrolling digital text, made using Live Type. These titles were used as it reflects the running theme of technology used in our film, and as they are very basic and minimalistic, it reflects the low key, quiet society in our film.



We also included basic titles for the names of the actors, director, writer, editor and producer, and these were just placed above the shots. They were placed near the bottom of the frame, and were revealed using soft fades, so that they don’t distract the audience from the action.

Camera Work: When filming our opening sequence, we almost always used a tripod, unless a tripod was not suitable for the situations, e.g. when the tripod wouldn’t fit in tight settings. This was done to give our opening still, straight images, fitting with the hard, cold society.
We also used focus pulls in our opening, e.g. when Ava walks away from her brother, and when she walks away from the staircase, into her room.

Editing: Continuity: Although we showed a few time lapses to speed up the pace in a few shots, our film generally followed all the continuity rules. We made sure that we edited to show matches on action, so that the film would look right to the viewers’ eye, and this is most evident in the shots where Ava has entered her house.



Editing: Cutting the film to music: We used the music to cut our film: cutting and changing shots to the beat of the music. This is evident in our montage at the beginning, where each shot changes to a beat in the soundtrack. This was done to give our opening sequence a pace and rhythm that not only matched our music, but made it easier to watch. We also cut up a few long shots and deleted every other part to create slight time lapses, so that they would match the music too. This was shown in the scenes where Ava gets onto the bus, and when she walks down the street towards her house.

Colour grading: We used Adobe Premiere to colour grade our opening sequence. We used tools such as the Three Way Colour Corrector, levels and ProcAmp to make the sequence slightly tinted blue and grey, and bring the saturation down. This was to reflect the sad, oppressive society presented in our film, and was inspired by films such as The Social Network, Twilight and I Am Number Four.

General comments on our finished opening sequence

In general, I am extremely happy with our finished final opening sequence, as I think it works well and does the job an opening sequence is meant to do. I also feel that it has a slight proffesional touch, especially with the HQ camera we used and the slightly desaturated colour grading that we did in post production, making this a project I am definitely proud of. This feeling of accomplishment was also further enforced when we got great feedback from all our audience and peers, and high ratings in our questionnaires.
I thoroughly enjoyed this project from start to finish; from brainstorming ideas about a psychological thriller, to changing our idea to a world without speech. All the filming days on set and editing sessions at school were also really fun yet still very productive, and I owe it to a great team and teamwork between us.